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It’s a Different Public Relations World

For several years, I was the communications manager in the public affairs organization for a large industrial complex.  I managed the flow of all news and public information through press releases, story pitches, and media inquiry responses. I wrote opinion-editorial pieces for major newspapers and industry journals and managed the speechwriting, media interview talking points and public statements of the board chairman, board members, and senior managers. My department also produced high-impact publications, web site content, branding/marketing collateral, and employee communications materials.

To overcome growing public opposition to an expansion project, my team met the challenge to deliver a $1.5M annual branding and public awareness media campaign highlighting the industrial complex’s economic value, community outreach and industry-leading ISO 14001 environmental stewardship initiatives.  I guided the creative development and media buys for placement of campaign advertisements.  Beyond the “I buy, you bill me” model, I formed partnerships with some 50 media outlets, including newspapers, magazines, radio stations, TV channels and specialized media services to maximize message penetration through editorial outreach to complement the advertising placements.   The results of the campaign were reflected in a public opinion survey:

  • 58% overall positive awareness of the industrial complex.
  • 69% approval of overall industrial complex activities.
  • 60% agreement that the industrial complex expansion project is a good idea.

After years of roadblocks, the expansion project was finally able to move forward.  The first phase of the complex opened a couple of years ago, creating jobs and generating millions of dollars in economic ripple-effect impact.

Public relations is no longer about pushing your agenda onto your communities the way my campaign did.  Public relations 2.0 is about engagement with the many publics that are involved with and impacted by your organization. It’s still about traditional media. But it’s also about monitoring the various and multiple conversations taking place in social media about your organization, and participating in those conversations. 

In this recession-era landscape of uncertainty, there are many employees, customers, vendors and industry watchers wondering what and how your organization is doing. Many of them are online asking good questions, making uninformed statements, sharing concerns, and engaging others about your organization. 

Given what’s at stake, it’s astounding to me that some of you are not there. Their assumptions about your organization go unheard and without a response from you. Meanwhile, your press releases have less of a chance getting printed today, and fewer are reading them on your website because the conversation going on about your organization isn’t taking place at your online corporate office. 

Marketing your organization in new media is about more than having a static Facebook page. It’s about engaging your many communities in social media. Your employees, customers, vendors, and industry watchers are there. Where are you?

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Rate My Plan for Spotlighting Animal Performers

Last Spring, I travelled to a rural area in the upper Midwest to visit a live animal entertainment venue whose owner was seeking a publicist.  I attended a matinee performance, then sat down with the owner to get to know each other and learn what was needed for the venue to be successful. 

 

Situation

The venue is a dream come true for the age 50-something owner, who has loved animals since childhood.  Masterfully costumed and choreographed, the animals present 90-minute performances in an arena-style theater.

 

Strengths

  • Dedicated owner and staff.
  • Great, short distance halfway between two major metropolitan cities.
  • Las Vegas-style show features variety, sparkle and dazzle.
  • 90-minute length is just right.
  • Arena-style seating ensures no bad seating.
  • Web site is beautiful, well branded, and enables online ticket sales.
  • A 2-minute feature report-style video was recently produced and  is posted on YouTube.
  • Ancillary revenue streams are generated by concession stand and gift shop sales and tour group bookings.

 

Weaknesses/Threats

  • Approximate $700K annual operational costs exceed average $300K revenue.
  • Due to strict local ordinances, lack of roadside and front entrance signage along the road make it easy for visitors to miss.
  • Fluctuating audience levels in a venue with seating capacity for 300.  On the Saturday that I visited, 40 people attended the performance.  The venue’s high season is May through October; low season is during winter months.
  • Branding suffers from inconsistencies in visual image quality and exposure.  Several fliers, posters, postcards, and print ads have been produced over the years with varying logos, fonts, and color schemes.
  • Some lack of acceptance, support, and collaborative partnership among segments of the local community despite owner’s membership in chamber of commerce and tourism bureau.
  • Some disapproval and/or lack of understanding from animal rights activists.

 

Opportunities

  • Increase general audience interest and attendance through greater buzz-generating publicity across multiple traditional and new media platforms targeting primary audiences in the two metropolitan cities and secondary audiences throughout the Midwestern U.S.
  • Increase awareness of venue among private event coordinators and corporate meeting planners who are always looking for new and unusual sites to book for their clients.
  • Expand the repertoire of performances to feature new themes and ideas that move and inspire audiences.

 

In the months preceding my visit, the owner had considered taking a one-year contract on a billboard along a major interstate highway at a cost of $5,000 per month.  Also, several salespeople had pitched for ads in various local community newspapers and regional visitors’ guides at costs ranging from $1,000 to $3,500 per placement.  The owner stated these opportunities were too expensive, and the preference would be to “get booked on talk shows” and featured in “news and human interest stories that don’t cost anything.”  The owner declined to specify a budget for my services, so we agreed that I would simply propose a plan  with a menu of options from which to choose.

 

The following is the plan that I submitted.  None of the options was chosen.  The venue owner subsequently decided to go with the interstate highway billboard.

 

Did this plan miss the mark?

 

1.      Pitching Stories – Initiate contacts and pitch newsworthy and feature- oriented story ideas to diverse journalists.  Emphasis will be concentrated on targeting coverage from media in the two metropolitan cities but strident efforts will also be engaged to reach greater audiences through popular media throughout the U.S., including magazines, national broadcast networks, and syndicated radio/TV shows.  This will involve constant building of a database of contacts from which I will initiate frequent personal phone calls, emails and other direct contact and networking activities with editors, producers, reporters, writers and other media professionals.  I will use skills honed from my own extensive professional background experience to “push buttons” that will generate interest leading to the quantity, quality and variety of feature reports across all media to generate “buzz” leading to heightened audience numbers.

 BUDGET: 20 hours per month at $50 per hour = $12,000 for 12 months (plus 4 hours per month pro bono)   

 

2.      Wire Service Mass Distribution  – Not only do I want to pitch; I also want to catch loads of inbound inquiries from curious media.  To pique media curiosity, I will write and edit newsworthy announcements, alerts and bulletins for about the venue.  The releases will be disseminated through a large news wire distribution network specializing in the delivery of multimedia content to the media and the general public.  Targeting its vast Midwest Distribution that includes tens of thousands of media points and individual recipients, the wire service will facilitate the distribution 24 releases – each with unlimited word count so we can tell the stories of this animal entertainment venue in many ways with lots of details.  This will include 24 photos through and a custom news archive that will match the look and feel of the venue’s web site.

 BUDGET:  12-month subscription at $1,700 per month = $20,640

 

3.      A) Liaisons through professional media associations – I will initiate memberships in professional journalist organizations that provide programs aimed at promoting productive and mutually beneficial fellowships, relationships and information exchanges. Membership in such organizations as the metropolitan area press clubs, Society of Professional Journalists, North American Travel Journalists Association and others will also provide me access to the membership directories that can become part of our database library.  I will also be eligible to register and attend local luncheons as well as regional and national conferences, conventions and other business gatherings providing maximum interface with media people to target for interest and coverage of the animal entertainment venue.

 

B) Business Partnership Marketing – The owner should continue to build relationships through existing membership in the local chamber of commerce and the tourism bureau.  Meanwhile, I will initiate membership in Meeting Professionals International, which will enable me to receive opportunities to build professional relationships with key contacts within the meetings and events industry. MPI will mean business via exposure for the venue to over 10,000 planners with average budgets over $1.5 million. The recommended category of membership for the venue is as a Supplier Meeting Professional in order to provide and/or sell the services and features of the venue to the meetings industry.  Others in this category of membership include destination management professionals, hoteliers, audio-visual professionals, florists, transportation providers, and convention and visitors bureaus.  The chapters in the nearby metropolitan cities empower their 1,200+ members to increase their strategic value with education, professional development and business growth opportunities.

 

BUDGET FOR 3A) AND 3B):  $5,000 for professional association membership dues, conference registrations, transportation, lodging, meals.

 

4.      Host at least two “Media Appreciation Day” events on-site at the venue to foster casual social interactions that will reinforce our relationships with journalists who have provided past coverage and/or who are interested in developing new story angles.  My role will be to set dates, disseminate personal invitations, coordinate RSVPs and coordinate logistics (including catering, program scheduling, and preparation of formal remarks/talking points for the venue owner). BUDGET: 2 events at $500 each = $1,000

 

5.      Social Media Marketing - I will initiate, build strong brand presence and maximize targeted online consumer communications outreach for the venue through active platforms on Twitter, Facebook, MySpace, LinkedIn, MySpace, WordPress.

 BUDGET: $0

 

6.      Email Marketing – Sending an email newsletter, a high-impact email promotion, an email event invitation, an online survey, or building the email list, my partnership with Constant Contact can help get it done. Email marketing and online surveys make it easy and affordable to connect with new and past audiences. Email addresses can be obtained from the existing database of visitors who purchased tickets online through the venue’s web site.  With more than 300 easily customized email templates, a step-by-step wizard, and point-and-click interface, high-impact email newsletters and promotions can be created in just minutes. It’s also easy to manage contact email lists and measure results.  Additionally, real-time email tracking and reporting will enable me to know how many emails were delivered, which addresses bounced, and why—within minutes of sending the email campaign. I will also get reports on who opened the email, which links generated the most interest, and who clicked on each one. This valuable information will help determine contacts’ interests, the best day and time to send the email campaigns, and much more.

BUDGET:  $0 for initial 60-day trial, then $50 per month for 10 months = $500 (assumes email list of 501 to 2,500 contacts)

 

7.      I will also coordinate plans for the venue to host at least two “Event and Meeting Planner Appreciation Day” events on-site at the venue to foster casual social interactions that will reinforce our relationships with event and meeting planners who have previously utilized or expressed interest in future utilization of the venue for their clients. My role will be to set dates, disseminate personal invitations, coordinate RSVPs and coordinate logistics (including catering, program scheduling, and preparation of formal remarks/talking points for the venue owner).  Through the following recent informal communications, it’s clear that some event planners are already excited about the opportunity to find out about the venue:           

 

If my calendar is open, I would be happy to come to a venue tour.  I am an event and wedding planner/coordinator.  I have set up many tours of venues and may have already had a personal tour. 
Thank you,
Conni Hofeldt-Rowe
Event Designer/Bridal Consultant/Coordinator 
 
 
 

 

Good evening!  A to E Wedding Coordinators assists brides, grooms and their families with the plans and coordination of their upcoming wedding event.  I have a background in catering and still work for a large catering company who handles the events of Fortune 500 companies in addition to weddings.  Thank you! 

Reyeh Aguilar, Wedding Planner

A to E Wedding Coordinators

 

BUDGET: 2 events at $500 each = $1,000

   

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Measuring PR’s Value and Impact on Business – Part 4

In a presentation to during a recent PRSA Houston luncheon meeting, Angela Jeffrey, APR, and vice president of editorial research at VMS, highlighted her findings from nearly a decade of studies on how earned and paid media in public relations correlate to business outcomes.  

news coverageIn addition to discussing the importance of communication share over absolute values and explaining why media costs have a higher correlation to outcomes than media reach, Jeffrey also shared insights and perspectives on ROI, message consistency, and how integrating data better predicts outcomes.

ROI 21) The return on investment in advertising focuses on quantitative metrics, not the impact of creative production. An impression on TV is not the same as a print impression or an Internet impression because the dollar expenditures are different, she noted.  “So advertising needs to gocreative idea beyond spend with a qualitative metric just like non-paid news media.  Quantity and quality need to be combined for best correlations.”     

2) Message consistency needs to be managed throughout all communications. This is about accounting for the difference in effectiveness of a single ad treatment in a positive vs. negative news environment, Jeffrey said. 

Take the hypothetical example of a restaurant chain’s $30 million ad campaign that indexes at 100.  If a YouTube video exposing E.colie.coli contamination at some outlets indexes at 20, the $30 million budget now has an impact of only $6 million (20 percent of $30 million).  Jeffrey’s research found that substituting $6 million for $30 million in the company’s market mix model came close to reality in customer count and revenue estimates.  

Bottom line: ads only do well in a positive PR environment. 

ad2media coverage3) Integrating news and advertising results in greater actionable insights. By definition, a correlation is a relationship between two independent variables.  Perfect correlation, achievable only in a clinical lab, is stated as r = 1.0.  According to Jeffrey, an r = 0.7 is usually a good indication that there is a relationship between the media effort and business results.  

One of her studies revealed strong correlations between integrated communications and movie box office success.  Specifically, while paid r = 0.58 and non-paid r = 0.75, integrated r = 0.80. 

White papers:

See “Exploring the Link Between Volume of Media Coverage and Business Outcomes” and “Exploring the Link Between SHARE of Media Coverage and Business Outcomes,” by Dr. Donald Stacks, Dr. David Michaelson, and Angela Jeffrey, APR, on www.instituteforpr.com. To request a copy of “The New Found Impact of PR on Advertising,” email ajeffrey@vmsinfo.com.

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Measuring PR’s value and impact on business – Part 3

The desire to do a better job is a major reason for evaluating PR efforts, but another equally important reason is the widespread adoption of the management-by-objectives system by clients and employers of PR pros.  They want to know whether the money, time, and effort expended on PR are well spent and contribute to the realization of an organizational objective,dollar sign such as attendance at an open house, product sales, or increased awareness.

media coverage1Compiling print and broadcast mentions is a widely practiced form of evaluating PR programs.  This, however, is just the first level of assessing message exposure to potential audiences. 

Media impressions are measures of the potential audience reached by a print, broadcast or online outlet.  If, for example, a story about anreadership organization appears in a local daily that has a circulation of 130,000, the media impressions are 130,000.  If another story is published the next day, this counts for 130,000 more impressions.  If there’s a brief mention of a new product or service on NBC’s Today show, this might constitute 20 million impressions if that is the audited size of the audience that regularly watches that program. 

Calculating the value of message exposure is another approach that can be done by converting stories in the regular news columns or on the air into the newspaper1advertising value equivalent, or AVE.  In other words, a five-inch article in a magazine that charges $1000 per column inch for advertising would be worth $5000 in publicity value.

“This math is correct if – and that’s a big if — the article really was about your organization.  If you only got a sentence or two, then you would be more accurate to go with a couple column inches before calculating its value,” said Angela Jeffrey, APR, vice

Angela Jeffrey, APR

Angela Jeffrey, APR

 president of editorial research at VMS who spoke at a recent PRSA Houston luncheon meeting.  

“My point on AVE is simply this: the very term ‘advertising value equivalency’ implies that a news article is equal to an ad in terms of impact.  And no one believes that. So it has been inaccurate for us as PR pros over the past 50 years to refer to a dollar amount of news coverage as having an actual ‘value.’” 

The real value of a story may be much greater than what the ad space cost to buy it, Jeffrey explains.  “It may have generated $50,000 in product sales, or solved a crisis that could have cost the company $50 million dollars.”  

In fact, some PR pros take the approach of calculating the cost of advertising adfor the same amount of space and then multiplying that total three to six times to reflect the common belief that a news story has greater credibility than an advertisement.  There is no empirical evidence, however, to support any multiplier factor.

Other pros say it’s like comparing apples to oranges. apples to oranges Advertising copy is directly controlled by the organization and can be oriented to specific objectives.  The organization also controls the size and placement of the message.  News mentions, by contrast, are determined by media gatekeepers and can be negative, neutral or positive.  Also, a new release can be edited to the point that key corporate messages are deleted; therefore, the organization can’t control size, placement, or content.

Thus, it’s a question of what’s being measured.  Should an article be counted as equivalent advertising space if it is negative?  It’s also questionable whether a 15-inch article that mentions the organization only once among six other organizations is comparable to the same amount of advertising space. 

And the numbers game doesn’t take into account that a four-inch article in the Wall Street Journal may be more valuable in reaching key publics than a 20-inch article in Houston Chronicle.

employeesSome argue that AVE metrics help corporate management put a value on PR. Others say it helps marketing executives decide on how to split resources between PR and marketing.

”From a pure calculation perspective, yes, you use the space/time occupied by your client in the story, multiplied by the advertising rate for that media outlet. However, we advise our clients not to refer to it as a ‘value’ statement,” Jeffrey said.  “And, in fact, we often take the dollar sign off it all together, and use it simply as an index score against which to compare across time, against objectives or against competitive coverage.”

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